
As a commercial photographer, I would regularly remind those I was photographing to – breathe. I also have various tricks to keep people from looking overly posed while still being somewhat – posed. I also would shoot a lot of exposures of them, aiming to capture the little small differences in their expression. The little differences that most wouldn’t notice unless I pointed them out to them, but make the difference in capturing them looking at ease or not. I know and understand lighting which doesn’t hurt either. This has led to me being able to see countless faces light up over me having been able to capture flattering shots of them, when just a few minutes prior, they had been telling me they are very uncomfortable in front of the camera. That they take horrible photos. Seeing their faces light up like this, and feel good about themselves, in my opinion, is one of the most rewarding parts of being a portrait photographer.
So, fast forward to this past week. It was my first week of class in radiography school and my first day of clinical rotations at a local hospital. For the most part, I knew nothing. But I couldn’t help but immediately notice all the similarities between what we were doing during that first day of clinicals and lab. The similarities between radiography and photography, studio photography, in particular, were glaring. Yet, the differences I saw were just as stark:
Rather than reminding the subject to breathe due to them often subconsciously holding their breath in front of a camera – radiographers tell patients to briefly hold their breath during each exposure to cut down on their movement.
Rather than trying to loosen up the subject to capture them looking more at ease, radiographers put the patients in specific positions and tell them to be comparatively rigid.
The X-Ray Tube being on a rail system hanging from the ceiling reminded me of something called a studio stand in commercial photography, which is like a tripod on steroids. A studio stand rolls on the floor though but is also somewhat slow, restrictive, and cumbersome to use. But also totally worth using to get a good crisp image, especially when using heavier cameras for studio work.
Radiography seems to be much like shooting architecture in that you need to be hyper-aware of the plane of the image sensor. Being certain it’s not unintentionally skewed to the left, right, forward, or backward in relation to the structure you’re photographing. If it is, it will throw off the lines and or proportions.
With professional photography – portrait photography in particular – you have to be willing to shoot a lot of exposures. You may change up expressions, lens focal lengths, lighting, outfits, backgrounds, etc. Whereas in radiography the goal is to capture the needed views using as few exposures as possible so as to minimize the amount of radiation you expose the patients with.
The lighting. Oh my. Thank you, Lord, for dimly lit environments. I am highly sensitive to bright light – and lighting in general. I detest overhead lighting to the point I often wear hats and caps to shield my eyes from overhead light sources. I can’t stand sickly and unnatural color casts from artificial light sources. Luckily, photography studios are often dimly lit with the only light coming from highly modified sources to make it more pleasing to the eye. It’s a photographer’s job to find or create nice lighting after all. I generally prefer and find dimly lit environments more relaxing than brighter ones. Well, it seems most environments that radiographers work in are dimly lit. Even the main office, or headquarters, for the radiographers at the hospital was dimly lit, even though there was no real reason it needed to be regarding imaging that I’m aware of. Other than radiographers possibly favoring dimly lit environments, just as I do.
Greetings, My Fellow Bats!
This past week taught me that there is a lot I can enjoy about the job and profession, but there was also stuff that made me wonder how long it will be before I feel as if I’ve had my fill of doing the same basic shot, or “views,” as they’re called in radiography, day after day. Following a strict formula, with zero creativity involved. I’ve already found myself wanting to know more about what I’m seeing in images. As in, what is it that the radiologist is looking for to make an accurate diagnosis? What is it in the image that could reveal the reason behind the patient being there? As far as I know, this is outside the scope of practice for radiographers. It’s not going to be my job to interpret what’s seen in images I create as a radiographer, but to instead simply methodically capture the best images possible for the radiologist to make a diagnosis, in a somewhat hurried fashion, which leads to another concern:
My desire to understand and connect with people is probably what has driven me as a portrait photographer more than anything else. You have to want to develop a connection and rapport with those you’re photographing. Often putting the camera down and just talking with who you’re photographing and listening to what they have to say. Whereas it seems with radiography, X-Rays at least, it’s all about first asking, “Can you please confirm your name and date of birth for me, Sir?” Then check their armband and the orders you have in hand to see if the names all match. Then proceeding to keep things friendly and professional but also comparatively superficial compared to portrait photography. All in the interest of getting through with one patient in order to get onto the next. While there is good reason for much of this, it still somewhat feels like tagging a cow’s ear with a number tag and then moving on to the next to do the same.
I feel as if being a radiographer is going to be everything I try not to be as a portrait photographer in the ways I’ve described above, while also being very similar. To the point, it’s feeling somewhat surreal to me. Especially considering that when I decided to put commercial photography on the back burner to pursue a second career in healthcare, I was feeling tired of feeling as if all I knew to do in life, professionally, was create nice images for my client. On-demand and under stress. Yet now, I’m going back to school to learn how to take more nice images, with radiation and/or magnets, rather than light (not light you can see at least). Also, on-demand and under stress.
Speaking of light. Now – while in school – maybe I can still not let my talents go to waste by approaching the security departments at both the school and hospital. Why? To show them how to simply – yet exponentially – improve the quality of the photographs they’re currently creating for student/staff ID’s. They leave much to be desired as both places are underexposing them by about a stop-and-a-half or so, with bad lighting, putting the subject too close to the background (which casts a nasty shadow on it), not filling the frame, and/or not centering the subject. Having not one, but two ID’s created this past week with the same issues, created by two different organizations’ security offices makes me twitch. What is this world we’re living in coming to, y’all?
Having the ID badge I’ve shown in the photo above handed to me and reading “imaging student,” no matter how bad an image it is, made me feel as if I were in some sort of time warp. It is the second time in my life I’ve been an “imaging student.” I’ve often told people that I feel it’s a sin to waste a God-given talent you know you have. I’ve tried to see to it that I haven’t regarding the innate ability I’ve always seemed to have in photography. But at times I’ve felt as if maybe I was letting a known talent go to waste by putting commercial photography on the back burner by going down the path for nursing as I have. It feels like God has slammed the door in my face on nursing too many times now. Particularly after finding out that I did make the cut for my nursing program of choice for this fall, but couldn’t move forward with it due to the program having to be put on hiatus due to a lack of qualified instructors to teach it.
Instead, I feel God has opened the door to radiography for me, and by doing so, has steered me right back to using my attention to detail, and ability to put people at ease, to create medical images that can help heal them. Much of it is going to come very naturally to me I believe, while some of it is going to be a struggle I feel. One way or another, it’s up to me to walk through the door God has opened for me. To make the most of that open door for the good of my future patients, their loved ones, my marriage, and myself.